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FICTION IN AMERICA

POETRY

IN OTHER WORDS

FOREIGN DOSSIER

REGIONS

Leadbelly

IN PRINT

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E.M. Schorb

for the musical ghost of Blind Lemon Jefferson

  Leadbelly, grim with your Cajun accordion,

With your harmonica blues, with your knife

  Flicking down the twelve strings of your guitar

--The Rock Island Line was a mighty good road--

  Bowing, scraping, whitesuited trainman...

Made your pride sick, but you sang,

  Fast, strong, quiet, like a driven

Demon, like you had to get it out

  Before a razor dumped your guts

Out on a blood-mud taphouse floor,

  Or some drunk crazy rednecks

Nailed you up like Christ, in a dangerous world

  For anybody but most, America, for a black

Poet of lowdown places and skyhigh loves.

  Leadbelly, thirty years hard time murder,

Six and a half, sang your way out, ten more, intent,

  Then Alan Lomax and his bro, John, folklorists--

Makes you laugh inside at night--white boys,

  Playing--but they get you out again and in

The Library of Congress, that grinding

  Voice part now of something big, like

Storm darkness, like that life thing,

  Love, always beyond somewhere or

Crying deep inside, in a dark place,

  Yeah, big like music, big like that gal you

Call Irene! How many Irenes, you think?

  Even white boys, even John/Alan Lomax,

know Irene--you driving them through

  New York traffic, them folkloring and you

Being their folkloring chauffeur.

  You drink sharp liquor in Harlem, play

With Woody Guthrie, Sonny Terry, Brownie

  McGhee, the Headline Singers--radio too,

Hollywood and Three Songs by Leadbelly,

  A French tour...You show em your razor

Stretch marks, your shotpitted pot.

  Good night Irene I´ll see you in my dreams...

All that good hot mean hard American life

  And Lou Gehrig´s amyotrophic lateral sclerosis.

It´s The Midnight Special! Fade me, Death!

Copyright: ©David Applefield, 2010. Legal Information

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